Low E and F are not the most difficult notes to play but there can be an influence of your breathing technique. Have you other instruments or other people which could help you about this ? This is something to practice specifically and sometimes the E is not as good as it would be if you played it from another note or directly. One of the drawbacks of the baroque fingering is that alternating F and E is difficult (three fingers to move and a tendency to swing the instrument). There are at least three variants one can use for F and which can solve a systematic problem.ĭo you succeed to stop the last two groups of holes at the same time? Have you a tendency to move your flute upwards or downwards when you play this note? Have you a tendency to move your left thumb when you do ? You can try for instance uncovering one of the smaller holes of the bottom position (auricular finger). Most have flatter or sharper individual notes that professional players learn to compensate or accentuate, essentially by breathing control, and sometimes by alternate fingerings. Second most likely cause Is your right middle finger sufficiently far from the open hole? Also beginners and autodidacts tend to look at their fingers on the instrument and raise the instrument horizontally to be able to see them: this is not optimal to cover holes, especially the lower ones. In certain cases, nails can be a problem, or trying to cover holes with a too vertical angle of the end of the finger. The fleshy part of the fingers should cover the holes with a large margin. Try to find a good angle for the "pavillon" part, if it moves, so that you are the most comfortable possible. Most likely cause If you have small hands, have you checked that you can reach easily the last two groups of holes with your ring finger and especially the auricular (=pinky) ? Even a slight misalignment can cause some air to go out and change the tone and give variable results. Is the pavillon part of your recorder (the ending part of the instrument) correctly (but gently) pushed against the middle part ? This can change the tuning (but mostly on higher notes).ĭo you see any cracks, gaps between the parts of the flute? There are a few things to check if the fingering problem is out of the way: You can spot a "german" model by its quite small fifth hole (corresponding to the semitone between F and E). The "modern" or "german" model fingering would use only the index for the right hand (left hand is the same) for a F on a soprano. I presume you have a baroque/english-model recorder because a school/"modern" recorder has often only one hole instead of two smaller ones for each of the ring and auricular fingers (last two bottom holes of the picture), and you would have noticed that. > The fingering you show in your question is a typical fingering for a baroque soprano recorder. Short answer: the fingering can be the problem, but there are other possibilities, one of which is finger placement.Ĭongratulation for your study of the soprano recorder.
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